Elizabeth Taylor and Paul Newman in " The Cat on hot tin Roof "
Elizabeth Taylor’s fashion sense can only be described as
fearless. She gave off a hint of glamour everywhere she went with. Still,
Elizabeth Taylor’s love for glitz and glam resonated with her at all times, and
her impact on the fashion industry is still evident. “Undeniably,
one of the biggest advantages to working on Cleopatra in Rome was Bulgari’s nice little
shop" Elizabeth wrote in her memoir My Love Affair With Jewellery. "I used to
visit Gianni Bulgari in the afternoons and we’d sit in what he called the
‘money room’ and swap stories” she continued.
Elizabeth Taylor is famed not jut for her acting prowess, but
also for her diamond addiction. The actress owned one of the most
beautiful - and expensive - jewellery collections in the world.
Dress by Mary Katrantzoe What would she wear for Summer 19 ?
Endless Glamour
Jewellery inspiration for this print dress by Alessandra Rich
Attico
Casadei
Crystal Choker with tails Miu Miu
Marni
Huishan Zhang
Elizabeth Taylor at 10 Via Condotti outside Bulgari store
Born in Paris in 1934, Bardot
had initially intended to pursue a career as a ballet dancer. However, after
appearing in a fashion show in 1949 and, subsequently, in French fashion
magazine Jardin des Modes, she was discovered by French actor,
writer and director Roger Vladim - who suggested her for the film Les
Lauriers Sont Coupés and whom she later married. That film was never
made, but it encouraged her to consider a career as an actress
ChanelSummer19collectionseamstobededicatedtoBB to her
love of the South of France and for her iconic seaside stylechic pantsuits and floppy hats. She also owned
the off-shoulder look which is known as ‘the Bardot’ still to this day. Bouffant
blonde hair and cat-eye makeup that she donned whatever the occasion. The
overall effect was elegant but sexy; she was the epitome of effortless beauty.
She always make us dream of St. Tropez and 55 Beach Club !!
Let's see what she would wear as Summer
Alanui
Alexander McQueen
Slingback White Stiletto @Aquazurra
Red heart shape sunglasses @Balenciaga perfect to found Love !!
Shopping bag by @BottegaVeneta
This is one of the most collectable bag Summer 19 by Chanel
@Chanel
@Dior
Fendi
The Feminine R&R brand Filles a Papa is so Brigitte Bardot !!!
Yesterday May 4th was going to be Audrey Hepburn Birthday
Some could argue that
Audrey Hepburn is the reason for fashion’s obsession with the The Little Black Dress . Her classic Holly Golightly look from Breakfast at Tiffany’s is
one of the most iconic ‘Old Hollywood’ photos out there. The simple Givenchy column gown , 3 strand pearl necklace , large black sunglasses,
sleek updo,diamond earrings , and a long cigarette holder will
forever be known as an Audrey Hepburn-inspired look!
When Hubert de Givenchy first
met Audrey
Hepburn in his Parisian atelier in 1953, he thought he
was meeting another, at the time more famous, Hepburn – a certain Katharine.
Nevertheless, the couturier was so fascinated by the young actress’ quirky fashion sense – she wore
a straw gondolier’s hat emblazoned with the word ‘Venezia’ – and a la
garcon figure that he agreed to have her try on some samples from his
Spring/Summer 1953 collection. Hepburn was on a mission to find the perfect
wardrobe for Sabrina and had personally chosen Givenchy, who
she thought to be “the newest, youngest, most exciting couturier”.
Let's see what she would worn as Summer 19
Celine
Chanel
Chanel
black dress with side bow Dries Van Noten
Small Clear Logo Bucket Bag Fendi
Huishan Zhang
Loewe
Bow Sling back by Marc Jacobs
N. 21
Prada
Rochas
Tom Ford
Fashion Editor Roberta Resta published in HIA magazine
While the fashion industry
continues to introduce us to new styles every season, the industry would not be
where it is today without the help of influential fashion icons.
MostofthisIconscanbefoundwithin the starsfromthepastwhichhadanaturalAllurewithapersonalinputtotheirstyleratherthena“stylist”creation.
Theirstylecontinueto be referencestonowadaysfashion,theybecame“Icons”.
Fashion Editor Roberta Resta published in HIA magazine